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Our Premier Release of the Year: The Artist's Lux Claims the Number One Place.

At first glance, this work might appear more like a difficult university examination than the latest popular music record from an artist who just had a last single was a collaboration with an international K-pop icon. Split into 4 distinct parts and sung in thirteen languages, it is a breathtaking orchestral-influenced opus investigating female mystery, religious ascent, and physical transformation, often through the prism of various saintly figures. The dissolution of a relationship—a topic handled with raw openness elsewhere—is launched upwards here, carried by the lush sound of a major symphony orchestra and contributions from an award-winning songwriter among a long roll call of collaborators. The pure daring by itself renders the efforts of other artists seem quite laughable.

Rising Above Academic Pretense

The fact that Lux manages to escape dry academic chin-stroking is nothing short of miraculous, with complete credit belonging to Rosalía. Although it's not her first project to blend historical sounds and the present, its scale feel far greater on Lux, with the tightrope walk more pronounced. The element that really raises this fourth album, beyond its multilayered tunes, rich arrangements, and inherent theatricality, is a core spirit of playfulness. Similar to the legendary Björk at her height, you find a captivating sense to the vocalist's singing which sweeps you into its tornado. When she is tearing hearts in two, you still desire to stay alongside her through the journey.

A Signature Example of Exuberance

This playful spirit comes forth clearly during a stirring piano-led song about Saint Clare. It luxuriates in a string-drenched melancholy over several moments. Then, all the music falls silent, and there's a gleeful giggle followed by a comment prior to a hilariously over-the-top string crescendo thuds down with cartoonish impact. The track immediately shifts to the frenetic track featuring galloping orchestration, an imposing choir, and a cameo role from the artist herself.

"The magic with this album is that the listener rarely quite know—nor want to know—what you will go next."

Almost every track concludes in a completely distinct point from how it started. One moment explores the fleeting trappings of fame with a delicate orchestration before collapsing into digital chaos. Another, a song echoing her previous trap-infused work begins out moody and brooding, featuring menacing beats, before sudden flamenco rhythms and an angelic chorus enter to soften the song's rough corners.

The Balance Between Art and Accessibility

A key achievement on the album is navigating the line between bold innovation and broad appeal. This is little surprise that the album has achieved her first release to break into the Top 5 of key charts: at its core a collection of truly catchy hits. A song sung entirely in the English language builds around a chorus that feels to gather increasingly nagging melodies as it spins upward. That feat gets repeated by another powerful ballad that expands and constricts, intertwining layered tunes like a complex weave.

  • A dance-infused song charms via its jaunty, theatrical flair and a chant-along chorus.
  • In its words, it shares the cultural impact of other breakup anthems, eviscerating an ex- lover labeled an "psychological terrorist".
  • Throughout the album, the singing carry a sharp smile, akin to a storybook figure hiding a knife: "Top prize in being a scoundrel / You have won the trophy of letdown."

An Opulent Feast for the Ears

This album represents pop on a grand scale, a hungry reach for high Art in an era of impending AI-generated sameness. It rejects solipsism for glorious elevation, crafting an over-the-top spectacle that masterfully controls its built-in ridiculousness. It is a deep well of buried treasure that takes time to fully mine but doesn't feels like a chore. While other big releases of the year felt like a meager scraps, this record offers a lavish banquet where the guests around it, perhaps intoxicated on sacred drink, flit from conversations about ancient saints, the profound feeling of heartbreaking sadness, and common gossip about hopeless men. It is a modern-day musical from music's truly endlessly creative practitioner.

About the author

Hannah Bates

A seasoned journalist with over 15 years covering European politics and international relations, based in London.

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